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Power and Conflict poems: all 15 AQA poems, pairings and how the exam works

AQA’s 15 Power and Conflict poems, what each is about, which to pair, and how the Paper 2 poetry questions work, checked against AQA’s own papers.

Written by the Brainhub Editorial Team Cites published research Updated 31 Oct 2026 8 min read

Key takeaways

1. The 15 Power and Conflict poems

Power and Conflict is one of three clusters in AQA’s poetry anthology. You study one cluster of 15 poems, written between 1789 and the present day, and should be ready to write about any of them.[1]

The table gives AQA’s list, in the order printed in its June 2023 Paper 2.[3]

AQA does not issue the anthology digitally, because of copyright, and its pages give no dates. We show a date only where a published source gave one.[7]

Poets.org gives 1818 for Ozymandias.[10]

The Poetry Foundation dates Blake’s Songs of Experience, which includes London, to 1794.[12]

It says Wordsworth’s final version of The Prelude came out in 1850, after his death.[13]

Browning’s My Last Duchess first appeared in 1842, in Dramatic Lyrics.[14]

The Poetry Foundation dates The Charge of the Light Brigade to 1854.[17]

Owen was killed in November 1918.[18]

Oak National Academy dates Storm on the Island to 1966.[20]

It says Dharker published Tissue in her 2006 collection The Terrorist at My Table.[21]

The Poetry Archive lists Checking Out Me History in Agard’s Half-Caste and Other Poems, published in 2004.[22]

We found no AQA notice changing the poems for 2027. AQA’s 22 September 2026 news item covers question-paper layout and does not mention the anthology.[8]

Poem
Poet
Date (where checked)
Ozymandias
Percy Bysshe Shelley
1818
London
William Blake
1794 (Songs of Experience)
Extract from The Prelude
William Wordsworth
Final version 1850
My Last Duchess
Robert Browning
1842
The Charge of the Light Brigade
Alfred, Lord Tennyson
1854
Exposure
Wilfred Owen
Owen died 1918
Storm on the Island
Seamus Heaney
1966
Bayonet Charge
Ted Hughes
-
Remains
Simon Armitage
-
Poppies
Jane Weir
-
War Photographer
Carol Ann Duffy
-
Tissue
Imtiaz Dharker
2006
The Emigrée
Carol Rumens
-
Checking Out Me History
John Agard
2004 (collection)
Kamikaze
Beatrice Garland
-

2. The six older poems: themes and pairings

These summaries and pairings are our own. Short quotes come from public-domain texts.

Ozymandias: a traveller describes a broken statue in the desert. The ruler’s boast, “Look on my works, ye Mighty, and despair!”, is mocked by the empty sand around it. Themes: the limits of power, pride and time. Pair with London, My Last Duchess or Tissue.[10]

London: a speaker walks London’s streets and hears suffering in every voice, and “mind-forg’d manacles”, ways of thinking that trap people. He links this to powerful institutions such as the Church and the palace. Themes: oppression, poverty, lost freedom. Pair with Ozymandias, Checking Out Me History or Tissue.[11]

Extract from The Prelude: a young Wordsworth takes a small boat onto a lake at night. A huge mountain seems to rise up and follow him, and he rows back frightened. Themes: the power of nature, guilt, human smallness. Pair with Storm on the Island or Ozymandias.

My Last Duchess: a duke shows a visitor a portrait of his dead wife. We see he was jealous and controlling, and he hints that he put a stop to her smiles. The opening line, “That’s my last Duchess painted on the wall”, treats her as an object. Themes: control, jealousy, abuse of power. Pair with Ozymandias, London or Checking Out Me History.[15]

AQA’s June 2023 report says some students wrongly read the Duke as grieving. Read his tone with care.[5]

The Charge of the Light Brigade: 600 cavalrymen ride into heavy fire in the Crimean War. Tennyson praises their courage and obedience (“Theirs not to reason why”), yet the poem also says “Someone had blundered.” Themes: duty, bravery, the cost of war. Pair with Bayonet Charge, Exposure or Kamikaze.[16]

Exposure: First World War soldiers endure a freezing night on watch. The weather seems the real enemy, and the refrain “But nothing happens.” shows the dull, hopeless waiting. Themes: suffering, futility, nature. Pair with Bayonet Charge or Remains.[19]

AQA’s June 2025 paper printed Exposure. Its report says strong answers began with a big idea, such as the horror of trench warfare, while weaker ones mainly discussed the weather. Pairing it with Storm on the Island often led to weather-focused writing.[6]

3. The nine modern poems: themes and pairings

These nine are in copyright, so we describe them and do not quote them. Learn short phrases from your own anthology.

Remains comes from Armitage’s collection The Not Dead, which Oak National Academy says is based on interviews with soldiers.[23]

Dharker’s own note on Tissue contrasts solid things, such as stone, with fragile ones, such as tissue paper.[24]

Poem
What it is about, and main themes
Pair with
Storm on the Island
An island community prepares for a violent storm and says it is ready, but fear creeps in as it hits. Themes: the power of nature, false confidence, fear. Some readers link it to political violence in Northern Ireland.
The Prelude, Ozymandias
Bayonet Charge
A soldier running into battle stops, confused, and wonders why he is there. Fear overtakes patriotism. Themes: the horror of war, fear, lost ideals.
The Charge of the Light Brigade, Exposure, Remains
Remains
A soldier cannot stop replaying the shooting of a man on patrol. Themes: guilt, trauma, the lasting effects of war.
Bayonet Charge, War Photographer, Poppies
Poppies
A mother remembers the morning her son left to join the armed forces. Themes: loss, worry, what war costs families.
Kamikaze, War Photographer, The Emigrée
War Photographer
A photographer develops pictures from war zones in his home darkroom and recalls the suffering he recorded. Readers at home may look, then forget. Themes: the cost of war, memory, indifference.
Remains, Poppies
Tissue
Paper is thin and fragile, yet it holds records and lets light through. The poem sets it against solid things such as stone and borders. Themes: the fragility of power, and what lasts.
Ozymandias, London
The Emigrée
Someone who left their homeland remembers it as bright and safe, though it has changed under harsh rule and they cannot go back. Themes: identity, memory, place, exile.
Checking Out Me History, Kamikaze, Poppies
Checking Out Me History
The speaker says school taught him British history and left out his Caribbean heritage. He celebrates the figures he was never taught about. Themes: identity, heritage, who controls the story.
London, My Last Duchess, The Emigrée
Kamikaze
A pilot sets out on a suicide mission, turns back, and returns to a family who shun him. His daughter imagines why. Themes: duty against family love, honour and shame.
Poppies, Bayonet Charge, The Charge of the Light Brigade

4. How the anthology question works

Paper 2 lasts 2 hours 15 minutes, is worth 96 marks and counts for 60% of the GCSE. AQA’s assessments are closed book, so you do not have the anthology in the exam.[2]

Section B asks one question. AQA prints one named poem from the cluster on the paper, and you compare it with one other poem from the same cluster. You choose the second poem.[2]

In June 2023 the printed poem was My Last Duchess and the question was about the effects of power. It was worth 30 marks.[3]

The 30 marks are 12 for AO1 (your own argued response, with comparison), 12 for AO2 (how the poets use language, form and structure) and 6 for AO3 (links to context). There are six levels of 5 marks, and Level 6 is 26 to 30.[4]

A response that does not cover the named poem and one other poem from the cluster can be capped at 10 marks.[4]

AQA’s paper gives no advice on time for each section. Our suggestion is about 40 minutes for Section B, then a few minutes to check.[3]

In 2027, Paper 2 is on Wednesday 19 May, in the morning.[9]

5. The unseen poetry section

Section C is two questions on poems you have not seen. The first, worth 24 marks, is about one unseen poem. The second, worth 8, asks you to compare the methods the two poets use.[3]

The 8-mark question is marked on AO2 only, which is about methods and their effects, in four levels of 2 marks. Comparison is the whole task.[4]

AQA’s June 2025 report warns against technique spotting, which means naming features such as alliteration without exploring their effect.[6]

The June 2023 report says some students spent too long on the 8-mark question.[5]

6. Comparison tips

The choice of second poem is critical, says AQA’s June 2025 report. Know your poems well enough to pick one with a real link, and know from the start how they are alike or different.[6]

In June 2023 around 80% of candidates answered the Power and Conflict question, and Ozymandias and London were the most popular second poems. Some chose less common pairings, such as Kamikaze and Storm on the Island.[5]

You do not have to compare in every paragraph. AQA’s 2023 report says treating each poem separately, with a link at the start and end, often did as well as or better than forced integrated essays.[5]

The June 2025 report agrees.[6]

Keep context short and tied to the question. AQA’s 2023 report says it should not be a long biographical or historical section.[5]

Quotations are not required, says the same report. Well-chosen references or paraphrase are acceptable.[5]

A simple shape: Open with one sentence on what links your two poems. Write a paragraph on each, with short evidence and its effect. Finish with how they agree or differ.

7. A six-week revision plan

For each poem, read it aloud twice. Then write a three-line summary from memory, list three short phrases from your anthology, and note one idea each phrase shows.

Week 1: Ozymandias, London, My Last Duchess (rulers and control). Week 2: The Prelude, Storm on the Island, Exposure (nature). Week 3: The Charge of the Light Brigade, Bayonet Charge, Remains (soldiers). Week 4: Poppies, War Photographer, Kamikaze (families and those left behind). Week 5: Tissue, The Emigrée, Checking Out Me History (identity and place).

Week 6: timed comparisons and unseen poems. For an unseen poem, read it twice, then ask what it is about, what the speaker feels, which methods the poet uses and what effect they have.

Each week, write one timed Section B answer in about 40 minutes and mark it against the six levels in AQA’s mark scheme. AQA’s June 2023 paper and mark scheme are on its website (see the sources).[4]

8. How Brainhub can help

Brainhub teaches one-to-one, live online across the UK. Online GCSE lessons start from £30 an hour, and every family starts with a free 45-minute assessment. A qualified teacher with a PGCE costs £10 an hour more. Our GCSE students typically improve by 2 grades over 12 weeks of weekly lessons (Brainhub student records, 2021–2026). That figure comes from our own records, not independent research, and every student is different.

Try it now

Test yourself on this page

Answer in your head first, then check.

  1. 1. How many poems are in AQA’s Power and Conflict cluster, and how many do you write about in Section B?

  2. 2. How are the unseen poetry questions in Section C marked?

  3. 3. Why does your choice of second poem matter?

Your next steps

  • Pick three poem pairings from the tables and write one sentence on what links each pair.
  • Write one Section B answer in about 40 minutes, then mark it against AQA’s levels.
  • Book a free 45-minute assessment to see which poems and skills need work first.

Subject guides to go with this

Want one-to-one help? See how our online lessons work.

Sources

  1. AQA. GCSE English Literature (8702): modern texts and poetry (subject content). aqa.org.uk/subjects/english/gcse/english-literature-8702/specification/subject-content/modern-texts-and-poetry
  2. AQA. GCSE English Literature (8702): specification at a glance. aqa.org.uk/subjects/english/gcse/english-8702/specification/specification-at-a-glance
  3. AQA. GCSE English Literature 8702/2 Paper 2, Modern texts and poetry: question paper, June 2023. filestore.aqa.org.uk/sample-papers-and-mark-schemes/2023/june/AQA-87022-QP-JUN23-CR.PDF
  4. AQA. GCSE English Literature 8702/2 Paper 2, Modern texts and poetry: mark scheme, June 2023. filestore.aqa.org.uk/sample-papers-and-mark-schemes/2023/june/AQA-87022-MS-JUN23.PDF
  5. AQA. GCSE English Literature 8702/2, Modern texts and poetry: report on the exam, June 2023. filestore.aqa.org.uk/sample-papers-and-mark-schemes/2023/june/AQA-87022-WRE-JUN23.PDF
  6. AQA. GCSE English Literature 8702/2, Modern texts and poetry: report on the examination, June 2025 (version 1.0). aqa.org.uk/files/cRIpdimsSKiybuSFvQKKsS/e5fd19f07aa4be3c7c84ee3edd7de7c199170ce8.pdf
  7. AQA. English anthologies: Past and present, poetry anthology (exams administration update). aqa.org.uk/exams-administration/exams-administration-updates/aqa-english-anthologies
  8. AQA. Changes to assessments from summer 2027 onwards (22 September 2026). aqa.org.uk/news/changes-to-assessments-from-summer-2027-onwards
  9. AQA. GCSE English Literature (8702): key dates, June 2027 series. aqa.org.uk/subjects/english/gcse/english-8702/key-dates
  10. Academy of American Poets (poets.org). Ozymandias, by Percy Bysshe Shelley (public domain text). poets.org/poem/ozymandias/print
  11. Academy of American Poets (poets.org). London, by William Blake (public domain text). poets.org/poem/london
  12. Poetry Foundation. William Blake 101. poetryfoundation.org/articles/91570/william-blake-101
  13. Poetry Foundation. William Wordsworth 101. poetryfoundation.org/articles/91748/william-wordsworth-101
  14. Poetry Foundation. Robert Browning: “My Last Duchess”. poetryfoundation.org/articles/144033/robert-browning-my-last-duchess
  15. Academy of American Poets (poets.org). My Last Duchess, by Robert Browning (public domain text). poets.org/poem/my-last-duchess
  16. Poetry Foundation. The Charge of the Light Brigade (text). poetryfoundation.org/poems/45319/the-charge-of-the-light-brigade
  17. Poetry Foundation. Alfred, Lord Tennyson (biography). poetryfoundation.org/poets/alfred-tennyson
  18. Poetry Foundation. Wilfred Owen (biography). poetryfoundation.org/poets/wilfred-owen
  19. Academy of American Poets (poets.org). Exposure, by Wilfred Owen (public domain text). poets.org/poem/exposure
  20. Oak National Academy. Understanding the poem ‘Storm on the Island’ (lesson). thenational.academy/teachers/lessons/understanding-the-poem-storm-on-the-island
  21. Oak National Academy. Understanding the Poem ‘Tissue’ by Imtiaz Dharker (lesson). thenational.academy/teachers/programmes/english-secondary-ks4-aqa/units/poetry-anthology-continued-study-172/lessons/understanding-the-poem-tissue
  22. The Poetry Archive. Checking Out Me History, by John Agard. poetryarchive.org/poem/checking-out-me-history
  23. Oak National Academy. Understanding the poem ‘Remains’ (lesson). thenational.academy/teachers/lessons/understanding-the-poem-remains
  24. Imtiaz Dharker (poet’s own website). GCSE page: the poet’s note on Tissue. imtiazdharker.com/gcse

This guide is general study advice. Every student is different. A teacher can help you work out what fits.